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1. Traditional Chinese acting

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Translator: Willett, John
Genre:: Essay (fragment)

2. Four short notes [to "Coriolanus"]
Act IV, scene 4

Names:: Author: Brecht, Bertolt
Editor: Barnett, David
Translator: Manheim, Ralph
Translator: Willett, John
Genre:: Essay

3. A dialogue about acting

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Translator: Willett, John
Genre:: Essay

4. Alienation effects in Chinese acting

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Translator: Willett, John
Genre:: Essay

5. Notes on individual scenes [to "Life of Galileo"]
Could Galileo have acted differently? [scene 11]

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Editor: Manheim, Ralph
Translator: Willett, John
Translator: Manheim, Ralph
Genre:: Essay

6. Dialogue on Acting

Names:: Author: Brecht, Bertolt
Editor: Silberman, Marc
Editor: Giles, Steve
Editor: Kuhn, Tom
Translator: Fursland, Romy
Translator: Willett, John
Genre:: Essay

7. Notes to "Caucasian Chalk Circle"
Behavior of the singer in the last scene of act one

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Editor: Manheim, Ralph
Translator: Willett, John
Translator: Manheim, Ralph
Genre:: Essay

8. Alternate version to act II, scene 5 [editorial note to "Duchess of Malfi"]

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Editor: Manheim, Ralph
Translator: Willett, John
Translator: Manheim, Ralph
Genre:: Play (fragment)

9. Short description of a new technique of acting which produces an alienation effect

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Translator: Willett, John
Genre:: Essay

10. The question of criteria for judging acting (notes to "Mann ist Mann")

Names:: Author: Brecht, Bertolt
Editor: Willett, John
Translator: Willett, John
Genre:: Essay